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1988 Shirley Horn - Live at the 4 Queens (2016) [CD]

1988 Shirley Horn - Live at the 4 Queens (2016) [CD]
Битрейт аудио:
lossless
Треклист:
Shirley Horn - Live at the 4 Queens
Жанр: Vocal Jazz
Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 2016
Издатель (лейбл): Resonance Records
Номер по каталогу: HCD-2015
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 52:43
Источник (релизер): catfish27
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Hi-Fly (6:31)
02. You'd Be So Nice to Come Home To (4:03)
03. Meditation (Meditacao) (9:12)
04. The Boy from Ipanema (5:27)
05. Isn't It Romantic (10:14)
06. Lover Man (Oh Where Can You Be?) (5:29)
07. Something Happens to Me (3:24)
08. Just for a Thrill (5:11)
09. Blues for Big Scotia (3:12)
Состав:
Shirley Horn - vocals, piano
Charles Ables - bass
Steve Williams - drums
Recorded live at the Four Queens Hotel, Las Vegas on May 2, 1988.
 
Лог создания рипа
X Lossless Decoder version 20181019 (151.1)
XLD extraction logfile from 2018-12-08 12:56:48 -0800
Shirley Horn / Live at the 4 Queens
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TOC of the extracted CD
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        8  | 44:21:10 | 05:10:45 |    199585    |   222879
        9  | 49:31:55 | 03:11:43 |    222880    |   237247
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Содержание индексной карты (.CUE)
TITLE "Live at the 4 Queens"
PERFORMER "Shirley Horn"
CATALOG 0096802280177
REM GENRE "Jazz"
REM DATE "2016"
REM DISCID 7E0C5B09
REM REPLAYGAIN_ALBUM_GAIN -3.08 dB
REM REPLAYGAIN_ALBUM_PEAK 0.948669
FILE "01 - Hi-Fly.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Hi-Fly"
    REM REPLAYGAIN_TRACK_GAIN -4.89 dB
    REM REPLAYGAIN_TRACK_PEAK 0.892334
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "You'd Be So Nice to Come Home To"
    REM REPLAYGAIN_TRACK_GAIN -3.24 dB
    REM REPLAYGAIN_TRACK_PEAK 0.948669
    INDEX 00 06:29:17
FILE "02 - You'd Be So Nice to Come Home To.flac" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Meditation (Meditacao)"
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FILE "03 - Meditation (Meditacao).flac" WAVE
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FILE "04 - The Boy from Ipanema.flac" WAVE
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FILE "05 - Isn't It Romantic.flac" WAVE
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    TITLE "Blues for Big Scotia"
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FILE "09 - Blues for Big Scotia.flac" WAVE
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Review by C. Michael Bailey
"Horn did ballads and cool, understated ruminations better than anyone except her first champion, mentor and lifelong friend, trumpeter Miles Davis. Both were masters of silence and anticipation, but even Davis teased Horn about her pacing. 'You do 'em awful slow!' he once said.'"
-- Richard Harrington, Washington Post.
The incandescence that was Shirley Horn, and her central importance to jazz vocals, cannot be overstated. She was a master, like Miles Davis and Ahmad Jamal, at retaining that elusive heartbeat called swing at the slowest tempos. Her ballad treatments may be traced, as a thread, through the approaches of Rebecca Parris, Patti Wicks, and Sue Sheriff. She was a musical force-of-nature, moving deliberately, thoughtfully, and soulfully forward.
Resonance Records, that upstart of hidden treasures helmed by Zev Feldman that unearthed the recently released Bill Evans -Some Other Time: The Lost Session from the Black Forest e (2016), Thad Jones and Mel Lewis -All My Yesterdays: The Debut 1966 Recordings at the Village Vanguard (2016), and Stan Getz -Moment in Time (2016) has now done the same with unreleased Shirley Horn with Shirley Horn Live at the 4 Queens.
Horn's discography is light on live recordings, making Live at the 4 Queens and immediately valuable addition to her recorded oeuvre. It is a spirited recital of nine tunes by Horn and her long-time rhythm section of bassist Charles Ables and drummer Steve Williams recorded live at Las Vegas' The 4 Queens Hotel, May 2, 1988. Horn was in excellent health and voice during this period, showing off her ballad prowess on "Lover Man," "You'd be So Nice to Come Home To," and "Just for a Thrill," the last being played just fast enough to retain the pulse of jazz. It is a masterful performance.
But Horn is also capable of picking up the pace and swinging for the fences, as she does on "The Boy from Ipanema" and a tour-de-force "Isn't It Romantic," where she displays her considerable piano skills. One can never hear enough of unheard Shirley Horn.
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