1988 Shirley Horn - Live at the 4 Queens (2016) [CD]
Битрейт аудио:
lossless
Shirley Horn - Live at the 4 Queens
Жанр: Vocal Jazz
Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 2016
Издатель (лейбл): Resonance Records
Номер по каталогу: HCD-2015
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 52:43
Источник (релизер): catfish27
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Hi-Fly (6:31)
02. You'd Be So Nice to Come Home To (4:03)
03. Meditation (Meditacao) (9:12)
04. The Boy from Ipanema (5:27)
05. Isn't It Romantic (10:14)
06. Lover Man (Oh Where Can You Be?) (5:29)
07. Something Happens to Me (3:24)
08. Just for a Thrill (5:11)
09. Blues for Big Scotia (3:12)
Состав:
Shirley Horn - vocals, piano
Charles Ables - bass
Steve Williams - drums
Recorded live at the Four Queens Hotel, Las Vegas on May 2, 1988.
Лог создания рипа
Содержание индексной карты (.CUE)
Отчет CUETools
Review by C. Michael Bailey
Жанр: Vocal Jazz
Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 2016
Издатель (лейбл): Resonance Records
Номер по каталогу: HCD-2015
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 52:43
Источник (релизер): catfish27
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Hi-Fly (6:31)
02. You'd Be So Nice to Come Home To (4:03)
03. Meditation (Meditacao) (9:12)
04. The Boy from Ipanema (5:27)
05. Isn't It Romantic (10:14)
06. Lover Man (Oh Where Can You Be?) (5:29)
07. Something Happens to Me (3:24)
08. Just for a Thrill (5:11)
09. Blues for Big Scotia (3:12)
Состав:
Shirley Horn - vocals, piano
Charles Ables - bass
Steve Williams - drums
Recorded live at the Four Queens Hotel, Las Vegas on May 2, 1988.
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TITLE "Live at the 4 Queens" PERFORMER "Shirley Horn" CATALOG 0096802280177 REM GENRE "Jazz" REM DATE "2016" REM DISCID 7E0C5B09 REM REPLAYGAIN_ALBUM_GAIN -3.08 dB REM REPLAYGAIN_ALBUM_PEAK 0.948669 FILE "01 - Hi-Fly.flac" WAVE TRACK 01 AUDIO TITLE "Hi-Fly" REM REPLAYGAIN_TRACK_GAIN -4.89 dB REM REPLAYGAIN_TRACK_PEAK 0.892334 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "You'd Be So Nice to Come Home To" REM REPLAYGAIN_TRACK_GAIN -3.24 dB REM REPLAYGAIN_TRACK_PEAK 0.948669 INDEX 00 06:29:17 FILE "02 - You'd Be So Nice to Come Home To.flac" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Meditation (Meditacao)" REM REPLAYGAIN_TRACK_GAIN -1.05 dB REM REPLAYGAIN_TRACK_PEAK 0.948669 INDEX 00 04:01:45 FILE "03 - Meditation (Meditacao).flac" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "The Boy from Ipanema" REM REPLAYGAIN_TRACK_GAIN -3.03 dB REM REPLAYGAIN_TRACK_PEAK 0.948669 INDEX 00 09:10:40 FILE "04 - The Boy from Ipanema.flac" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Isn't It Romantic" REM REPLAYGAIN_TRACK_GAIN -3.14 dB REM REPLAYGAIN_TRACK_PEAK 0.948669 INDEX 00 05:25:51 FILE "05 - Isn't It Romantic.flac" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Lover Man (Oh Where Can You Be?)" REM REPLAYGAIN_TRACK_GAIN -2.73 dB REM REPLAYGAIN_TRACK_PEAK 0.948669 INDEX 00 10:12:42 FILE "06 - Lover Man (Oh Where Can You Be).flac" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Something Happens to Me" REM REPLAYGAIN_TRACK_GAIN -3.70 dB REM REPLAYGAIN_TRACK_PEAK 0.948639 INDEX 00 05:27:07 FILE "07 - Something Happens to Me.flac" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Just for a Thrill" REM REPLAYGAIN_TRACK_GAIN -0.69 dB REM REPLAYGAIN_TRACK_PEAK 0.948669 INDEX 00 03:22:09 FILE "08 - Just for a Thrill.flac" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Blues for Big Scotia" REM REPLAYGAIN_TRACK_GAIN -3.77 dB REM REPLAYGAIN_TRACK_PEAK 0.948669 INDEX 00 05:08:63 FILE "09 - Blues for Big Scotia.flac" WAVE INDEX 01 00:00:00
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"Horn did ballads and cool, understated ruminations better than anyone except her first champion, mentor and lifelong friend, trumpeter Miles Davis. Both were masters of silence and anticipation, but even Davis teased Horn about her pacing. 'You do 'em awful slow!' he once said.'"
-- Richard Harrington, Washington Post.
The incandescence that was Shirley Horn, and her central importance to jazz vocals, cannot be overstated. She was a master, like Miles Davis and Ahmad Jamal, at retaining that elusive heartbeat called swing at the slowest tempos. Her ballad treatments may be traced, as a thread, through the approaches of Rebecca Parris, Patti Wicks, and Sue Sheriff. She was a musical force-of-nature, moving deliberately, thoughtfully, and soulfully forward.
Resonance Records, that upstart of hidden treasures helmed by Zev Feldman that unearthed the recently released Bill Evans -Some Other Time: The Lost Session from the Black Forest e (2016), Thad Jones and Mel Lewis -All My Yesterdays: The Debut 1966 Recordings at the Village Vanguard (2016), and Stan Getz -Moment in Time (2016) has now done the same with unreleased Shirley Horn with Shirley Horn Live at the 4 Queens.
Horn's discography is light on live recordings, making Live at the 4 Queens and immediately valuable addition to her recorded oeuvre. It is a spirited recital of nine tunes by Horn and her long-time rhythm section of bassist Charles Ables and drummer Steve Williams recorded live at Las Vegas' The 4 Queens Hotel, May 2, 1988. Horn was in excellent health and voice during this period, showing off her ballad prowess on "Lover Man," "You'd be So Nice to Come Home To," and "Just for a Thrill," the last being played just fast enough to retain the pulse of jazz. It is a masterful performance.
But Horn is also capable of picking up the pace and swinging for the fences, as she does on "The Boy from Ipanema" and a tour-de-force "Isn't It Romantic," where she displays her considerable piano skills. One can never hear enough of unheard Shirley Horn.
-- Richard Harrington, Washington Post.
The incandescence that was Shirley Horn, and her central importance to jazz vocals, cannot be overstated. She was a master, like Miles Davis and Ahmad Jamal, at retaining that elusive heartbeat called swing at the slowest tempos. Her ballad treatments may be traced, as a thread, through the approaches of Rebecca Parris, Patti Wicks, and Sue Sheriff. She was a musical force-of-nature, moving deliberately, thoughtfully, and soulfully forward.
Resonance Records, that upstart of hidden treasures helmed by Zev Feldman that unearthed the recently released Bill Evans -Some Other Time: The Lost Session from the Black Forest e (2016), Thad Jones and Mel Lewis -All My Yesterdays: The Debut 1966 Recordings at the Village Vanguard (2016), and Stan Getz -Moment in Time (2016) has now done the same with unreleased Shirley Horn with Shirley Horn Live at the 4 Queens.
Horn's discography is light on live recordings, making Live at the 4 Queens and immediately valuable addition to her recorded oeuvre. It is a spirited recital of nine tunes by Horn and her long-time rhythm section of bassist Charles Ables and drummer Steve Williams recorded live at Las Vegas' The 4 Queens Hotel, May 2, 1988. Horn was in excellent health and voice during this period, showing off her ballad prowess on "Lover Man," "You'd be So Nice to Come Home To," and "Just for a Thrill," the last being played just fast enough to retain the pulse of jazz. It is a masterful performance.
But Horn is also capable of picking up the pace and swinging for the fences, as she does on "The Boy from Ipanema" and a tour-de-force "Isn't It Romantic," where she displays her considerable piano skills. One can never hear enough of unheard Shirley Horn.
Any questions - projazzclub@gmail.com
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777